Artwork Headed to the Daylesford Abbey Art Show

I am pleased to announce that this year I will again be participating in the Daylesford Abbey Art Show.

Last year was my first try at being juried into this exhibit and it turned out to be my favorite show of the year.

Below is a sneak peek of some of the work I will be exhibiting this year.

Put Your Best Face Forward
18" x 22" watercolor on paper

A few years ago I took many reference photos of this yellow Gerber daisy. As I was looking for a reference for a new watercolor painting I saw this photo. The image made me think of how we all have a public face that we present to the world - showing what we think is acceptable - and a private one that we keep hidden - keeping to ourselves the parts that we think will make it harder for us to fit in.

Still in Yesterday's Clothes
8" x 10" watercolor on paper

My family shops at local farmers' markets weekly during the growing season, and I have a habit of painting the produce we bring home. I especially love when I find produce that still has it's leaves and stems attached. This pair of peaches reminded me of a couple getting home very early in the morning after a fabulous party. They may not be as beautiful as they were before the event, their clothes are a little wrinkled and they look a little tired, but you just know they had rockin' good time.

Leaves with Helicopters
8" x 10" watercolor on paper

I love autumn! It may be my favorite season. I love the smells of burning leaves and sweet apple cider. I love the warm, sunny days followed by cool, crisp nights. And I love the riot of color that explodes across the landscape. Yes, especially the colors, because I know they will be replaced by months of winter grey. So when I am out taking my morning walks in the fall, I can't resist collecting a colorful leaf or two... or possibly ten. And when the grey descends I paint the pretty leaves and return to the joy that autumn brings me.

Are You Getting my Good Side?
10" x 8" watercolor on paper

Cardinals are normally skittish birds, flying off at the slightest noise. This guy was hanging out in my pine tree feasting on some bird seed. Instead of flying away, I swear he started posing as soon as I trained the camera lens on him. He seemed a little full of himself, wanting to make sure I was capturing his best side.

Seasons' Reflections
10" x 12" watercolor on paper

I collect glass Christmas ornaments. I love how they catch the tree lights and magnify the shine. Many of the ornaments in my collection were gifts. Others I purchased while on vacation. As I unpack each ornament and hang it on the tree, I dip into those warm memories and linger in their comfort. The good feelings wrapped in those memories are reflected onto me each holiday season much the same way the glass reflects the lights on the tree.

Waiting
8" x 10" reproduction of graphite drawing

This little house finch comes to my backyard bird feeder. I tried to take his picture a few times but he always seemed to fly off when I went to grab my camera. I think he is shy. Then one day he showed up with his lady friend and I was able to snap a few shots while he was distracted by her attention.

Produce Note Cards

An assortment of 8 blank cards and envelopes featuring a collection of my produce images. Two cards each of the beets, peach, apple and pears.

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Related Links:
Daylesford Abbey Art Show

Show Details:
Opening Reception - October 13, 2012
3:00 - 6:00 pm
$30 per person

Free Admission to the show begins on Sunday, October 14, 2012

Show Dates: Sunday, October 14th - Sunday, October 28th
Show Hours: Daily 12 noon - 4:00 pm
             Wednesdays open until 8:00 pm

Address: 220 South Valley Road, Paoli, PA 19301

Call (610) 647-2530 ext. 100 for more information

Travel Journals

Welcome back to my little home on the internet!

Summer is over and with it my scheduled hiatus. I have not yet determined what my blog posting schedule will be, but I am here for now and I am glad you are too!

Over the summer I was lucky enough to take two vacations with my family.

Whenever we go on vacation, I try to keep a journal of our adventures. It is so much fun to go back and read about the trip, and it is easier to remember the details when you have a framework to start in.

The first time I kept a journal was on a trip to Disney World that we took when my kids were very young. I knew that they were young enough that they probably wouldn't remember the trip on their own, so I wrote a brief summary about each day to capture and preserve the memories.

palm tree sketch from Hawaii

©2010 Stacy L. Rowan

Now that the kids are older, in addition to words, I try and sprinkle in a few sketches. The act of sketching more firmly cements the details in my mind and helps me soak up the vacation mood.

Someday I hope to create enough sketches on trips to be able to accurately refer to my travel journals as travel sketchbooks.

banyan tree sketch from Hawaii

©2010 Stacy L. Rowan

There are many artists in the world who keep wonderful travel sketchbooks. I love looking at the sketches and feeling the essence of a place - especially if it is a location that I may not visit in my lifetime.

If you are interested in learning about travel sketching or in viewing other artists' travel sketchbooks, the best place to start is with Katherine Tyrrell's Travel Sketching Squidoo lens.

As always, Katherine has compiled a wealth of information on the subject and neatly organized it for our benefit. She has included information on how to sketch and sketching tools, as well as links to artists who share their travel sketches in books or online.

My only warning about this site is not to pop in for a "quick" look. There is so much good and interesting information there, you won't be able to be quick.

shark & barracuda sketches from Florida

©2012 Stacy L. Rowan

If you are more interested in viewing images then learning about the craft, here are links to some artists whose travel sketches I enjoy.

Nina Johansson - look for the "Categories" drop down menu in the right hand sidebar of her blog and select "travel" to view her travel sketches. Or click this link.

Lynn Chapman - In December of 2011, Lynn took a trip to Kerala in Southern India. Her descriptions and sketches from that trip are wonderful. Try typing "Kerala" in the search bar at the top left hand side of her blog or click here.

Laura Murphy Frankstone is a prolific traveler and sketcher. You can see a collection of her travel sketches here.

Liz Steel is another prolific sketcher who is also well traveled. To see sketches from some of the places she and her friend Borromini have been, click the location tabs at the top of her blog.

I would love to hear from you if you have a favorite artist who shares sketches from their travels - leave a comment below. Viewing travel journals is a wonderful way to see the world without ever leaving your couch!

Easter Visitors

This year we had a couple of special visitors arrive for Easter. We picked them up on Saturday and they will be staying with us for two weeks. My kids could not be more excited.

sleeping chicks sketch 01

graphite in Moleskine cahier sketchbook

approx. 3" x 4"

Our "guests" are actually two chicks which we "rented" from a local farm. The farm provides bedding, food and a box along with the two chicks and instructions for their care.

Our chicks have been named Ginger and Momo - short for Mozart, because she started singing as soon as she was put into my daughter's hands. They are very cute chickies, all fluffy and round.

Not only are the chicks cute, but they provide me with a unique sketching opportunity, of which I plan to take full advantage. You can see my first three sketches in this post.

sleeping chicks sketch 02

graphite in Moleskine cahier sketchbook

approx. 3" x 4"

I started with some sketches of the chicks sleeping in order to familiarize myself with their forms. When asleep they are relatively still so long as I don't make any noise. Ginger is a curious one and the slightest noise will have her opening her eyes and turning around to see what is happening.

With two sleeping sketches under my belt I tried one of Ginger eating - another activity which keeps her still for at least a few seconds.

sketch of chick eating

graphite in Moleskine cahier sketchbook

approx. 5" x 2"

During my next sketching session I will try for a sketch of Momo. She is a little more shy but seems to be getting braver.
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On a different note, I am super happy to report that the first edition of my email newsletter was very well received. I am currently working on the May edition. If you are interested, you can sign up to receive it here. It will be arriving in inboxes around the world during the first week of May.

Sketching Eggs

sketch of eggs

approx. 8" x 7"

water soluble graphite on paper

Working some more with the water soluble graphite pencil, last night I decided to sketch some eggs. Well, actually it was one egg sketched from three different angles.

What better sketching subject than an egg on a beautiful spring night the week before Easter?

I really liked how the dry sketches looked, so in the end I only wet the one at the top. In fact, so far that is the only negative thing I have to say about this pencil. I enjoy the look of the dry sketches so much that it is difficult to decide if I want to finish them with the water brush or not.

(The lines emanating from the top egg aren't really there. The scanner picked up the shadows from the slightly wrinkled paper.)

Water Soluble Graphite

Last week, after surviving long enough to complete my daffodil sketch, I moved to a different spot on the patio and created this sketch of a metal chicken that likes to hang out under one of the bushes.

sketch of metal chicken - dry

watersoluble graphite on paper

approx 7" x 6"

I used a "medium wash" Derwent Watersoluble Sketching pencil for the sketch.

I've had the pencil for a while, and even though it has a permanent spot in my sketching pencil case, I have only used it once or twice before. My avoidance has nothing to do with the pencil. It is more out of habit and the comfort level I have with my typical sketching materials than anything else.

I'm not quite sure what made me grab it last week, but I'm happy I tried it out again.  I like the thicker point and the feel of the pencil on the paper. It was a perfectly nice pencil to sketch with.

And then it got better.

After scanning the sketch in its original version, I used my water brush to wet the lines. You can see the results below.

same sketch of metal chicken after wetting

watersoluble graphite on paper

approx 7" x 6"

I love how the use of the water brush turned a rather scribbly sketch into something more refined. The range of values is great. And since it takes very little water to dissolve the marks, the pencil can be used in a regular sketchbook, which is how I used it here.

I will definitely be using this pencil again! Between the Inktense pencils and now the Watersoluble Graphite pencil, it seems that Derwent products currently make up a rather large part of my sketching kit.

(The opinion expressed here is not a paid endorsement. It is an unsolicited review of my experience. Derwent has no idea who I am.)

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Hazards of Sketching

daffodil sketch

graphite on paper

We have been having absolutely beautiful weather the last couple of weeks. Yesterday I finally made time to go outside and sketch some of the Spring flowers, trees and the random garden ornament.

Since I was headed outside anyway, I decided to refill my empty bird feeder before I settled in. Perhaps this wasn't the best idea.

What I didn't realize was that there is apparently some sort of "Bat-Signal" in our neighborhood which calls birds to refilled feeders.

sketch of metal garden ornament

graphite on paper

For my first sketch I sat on a small cushion on the patio right in front of a large bunch of daffodils. The daffodils are growing up right next to the hook that holds the bird feeder.

Within minutes a little bird showed up - drawn by the Bat-Signal that is invisible to the human eye - and landed in the dogwood tree behind the daffodils. He was happily hopping around until he spotted me. When he saw me, he froze for a split second, then started wildly flapping his little wings and flew away in what I can only assume was panic.

This scene repeated itself multiple times, including with a pair of woodpeckers. The way they frantically flew away and the sounds of their beating wings started to freak me out a bit. I mean what if in their confusion they flew at me instead of away from me? Or what if they flew at me on purpose with the intent to attack?!

... What? It could happen. It could.

rhododendron sketch

(I know it says azalea buds, but they are rhododendron buds. Honest.)

ink on paper

But I decided that I would not let the savage attack birdies chase me out of my own yard. After all they don't pay the mortgage. They don't even pay for the birdseed! And I should be allowed to sketch freely in my own backyard.

So I stood my ground.

And sketched as quickly as possible!

Then I moved on to other sections of the yard. Ones that were further away from the freshly filled bird feeder!

Happy Winter is 65% Over Day

This winter my husband has been sending me emails with a winter countdown of sorts. Each email is titled similar to the title of this post.

crocus sketch

watercolor on paper

Most years, as soon as we get through the shortest day of the year he starts saying "Winter is on the run!" Mind you, the shortest day of the year occurs in December, and where we live winter pretty reliably lasts through March, but that doesn't phase him.

This year he has taken it a step further. Using a calculation method known only to him, he has been having a count down and informing me of each milestone we hit. According to him "Happy Winter is 65% Over Day" was actually on Monday. Today might actually be 67.3% Over Day, but I decided a little rounding couldn't hurt.

My system for tracking the progress of Spring's arrival is a little more straight forward. I watch for nature's cues.

snowdrop sketch

graphite on paper

My snowdrops and winter aconites are up and blooming. The daffodil leaves are several inches tall. And the tips of the other Spring bulbs are starting to appear above ground.

We have had a mild winter, so I am finding hubby's emails entertaining. Last year I might have felt differently. You may recall that I was soliciting photos of Spring's arrival in other places because I wasn't sure if it would ever show up here and stay.

This week, to celebrate Spring's approach, I completed the sketch at the top of this post using the photo below for inspiration.

photo ©2011 M. J. Muir

I received this photo last year from Mary Jane who lives in Vancouver, Canada. The original sketch is now waiting to be mailed. This taste of Spring will be arriving in MJ's mailbox any day.

I hope that Spring is arriving as quickly as a sketch sent through the mail to those of you who are waiting patiently for it.

For those folks in the southern hemisphere, I hope winter takes her time arriving.

Happy Winter is 65% Over Day to everyone!!

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As always, I thank you for your interest in my art and I hope you enjoy the new newsletter!

A Flexible Schedule

Sometimes, much as we might like to be, we are not in control of our own schedules. Take my schedule for instance. Yesterday I found myself here...

sketch of airplane interior

That wasn't really a bad thing, but according to my schedule I was supposed to be on that plane on Wednesday, not Thursday. Which would have meant I was home on Thursday. If I was home on Thursday I would have posted this then.

shark & barracuda sketch

However, since I was not in control of my schedule, it fell victim to mechanical issues which required the cancellation of said Wednesday flight. With no other flights available, my family and I were forced to stay an extra day in a sunny, warm vacation place. Truth be told, I wasn't complaining. And the kids not only weren't complaining, but took it a step further, and were doing a very energetic happy dance.

palm tree sketch

So the Wednesday flight became a Thursday flight and the Thursday blog post became a Friday one. A worthy trade for a few additional hours of sun and a safe flight.

ottoman sketch - random I know but found in our vacation accommodations

I hope you enjoy my vacation sketches as much as I enjoyed the vacation.

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All sketches were created with graphite in a Moleskine cahier sketchbook.

Sketching the Past

I tried my hand at more people sketches today. I am not sure why I feel drawn to do this or where I am going with it, but it feels right so I am following my intuition.

This time I used two old family photos as references. The references are about three inches tall and two inches wide. The dimensions that I posted under each sketch show that I am working quite a bit larger than my reference material.

practice sketch 12

approx 7" x 5"

©2012 Stacy L. Rowan

I stopped during the second sketch for a work in progress scan. Here you can see that I sketched in the outlines of the head and body before adding the facial features.

practice sketch 13 WIP

©2012 Stacy L. Rowan

I still need more practice in order to get a quick and accurate likeness. I am working up to sketching from life. These sketches today required a little longer than I think I can expect in social situations.

practice sketch 13

approx. 7" x 5"

©2012 Stacy L. Rowan

But, the most important thing for now is that I thoroughly enjoyed myself while working on these. I am following my muse to see where she is leading me. So far it has been a fun journey.

I will definitely be finding additional old photos to use as references for this project.

If You Do What You've Always Done...

quick sketch of woodpecker

graphite on paper

©2012 Stacy L. Rowan

...you get what you've always got.

Or conversely, if you want a different outcome, try a different approach.

Today mother nature did a wonderful job of reminding me of this saying.

I was relaxing for a few minutes after breakfast by watching the birds feed at my backyard feeder. I typically see a pair of cardinals, many juncos, a few house finches, and the occasional tufted titmouse or chickadee.

At the time that I was watching there were probably a dozen juncos spread around feeding at the feeder, eating the seed that had fallen to the ground or hanging out in the surrounding bushes.

I enjoy watching the juncos and the way they jump and flit about, but I was also wondering how I could attract a wider variety of birds. I was thinking about asking some of the ladies from my Tuesday art group what they would recommend.

Then not thirty seconds later, after grabbing my warmed up coffee from the microwave, I looked outside. And what did I see? A woodpecker!

He was hanging on the suet cage pecking at the suet cake. I had just put it out the day before. Normally I don't buy suet cakes because the one other time I did, the only animal I ended up feeding was a squirrel. The birds didn't seem to like it or else never got a turn.

Earlier in the week when I was grocery shopping I saw suet cakes on sale for a dollar. I figured that for a buck it was worth a try even if I only made the squirrel happy.

But instead, by trying something new I experienced a new outcome -- a visit by a beautiful woodpecker.

I know this is a lesson that I can apply both to creating art and to other areas of life. My standard techniques and practices feel familiar and comfortable. I know what to expect from them. It is all too easy to shy away from trying something new in the name of comfort. Or because of fear of an unknown outcome. But, as today showed me, sometimes the unknown outcome turns out far better than I expect.

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My new friend the woodpecker didn't stick around for a long visit. As soon as I realized what kind of bird he was and got over my shock of having a woodpecker at my feeder, I grabbed my sketchbook. I drew exactly one line and then he flew away. I completed the rest of the sketch from memory as best I could. Then I went and grabbed my kids' bird book and using that and my first sketch I drew a second sketch which you see above.

I am questioning now whether the bird actually had the tuft of feathers at the back of his head, or if I didn't see clearly and it was instead a red triangle of feathers surrounded by darker ones. I will have to keep my eye out for him to visit again to see if I can get a better look.

Finding Balance

drawing #8 WIP - tap dance series

graphite on paper

©2011 Stacy L. Rowan

This week I went with my family to see the documentary "Being Elmo". It is the story of how Kevin Clash became the puppeteer behind Sesame Street's most beloved monster.

It is an excellent film about a man who followed his passion to become one of the most respected professionals in his field. I highly recommend the movie!

Based on the trailer, I expected the feel-good side of this story. But within this uplifting story there was also a little regret.

Mr. Clash spoke about how the demand for Elmo meant he that he traveled a lot and worked many hours. His passion for his work took him away from home and his daughter. You could see his sadness at missing out on some of the moments in her life.

I really appreciated his honesty on that topic. It was good to see that mastery doesn't come without tough choices. Many times that detail is glossed over in Cinderella-like stories of success.

But the truth is, everyone has to find a balance - the combination of working towards mastery of something they love and living the rest of their life - that works for them. It is often a trial and error process of testing different combinations until you find the balance that feels right.

Mastery is not a gift that some lucky people are just born with. It is the result of action, choices, decision and hard work.

I regularly evaluate the choices I am making to see if they support the balance that is important to me. I check to see if my actions support my priorities of family life, taking care of my health and spending time on my passion (art). If I've gotten off track, then it is time to start making different choices.

My balancing act this week included fitting studio time and some exercise in around our Christmas preparations. I tried a new-to-me approach this past Monday.

Monday was a cool, overcast day and as soon as I crawled out of my warm, cozy bed I was chilly. I have learned from experience that when I sit still at my studio table for a few hours I often get cold. I am too "in the zone" when I am working to notice it happening, but once I stop I realize I am quite chilled! (It doesn't take much to get me cold. My husband claims I only have a 5 degree temperature window in which I am actually comfortable.)

I decided to try and avoid the chill by chopping up my exercise into intervals. I started with about 7 minutes of brisk walking on the treadmill. Then I spent an hour drawing. Followed by another 7 to 8 minutes of walking, an hour of drawing, etc.

At the end of my time I had managed about two and a half hours of drawing and two and a half miles of walking! And after my first interval of walking I wasn't cold the rest of the day! This is a balancing tactic that I will definitely use again.

My drawing time was spent working on the above tap piece. I am really happy with how it is coming together.

More Portrait Practice

I'm starting off today's post with a confession. My confession is that I would much rather be curled up in a soft chair under a warm blanket than sitting here in this uncomfortable desk chair at 8:49 on a Thursday night.

But I made a commitment to myself that I would post on my blog every Thursday. Given that one of the words I would choose to describe myself is dependable, not posting seems like a bad choice.

As a rule I find it easier to keep my external commitments, the ones I make to other people, than I do to keep the ones I make to myself. I’m wondering if that is typical for most people. Do you find it easier keeping your word when you make a promise to someone else, or when you make one to yourself?

For the case of this current challenge, I am telling myself my commitment is to my readers. That helps keep my butt in this hard chair instead of wimping out.

I can feel your sympathy. Really I can.

But enough about me and my struggles…

During my studio time today I finished a new painting. As much as I would love to share it here, I am going to have to wait and keep it under wraps for another month or so.

Instead I am sharing my latest round of portrait practice. I did these sketches over the weekend. I used magazine photos for my references.

 

practice sketch 10

graphite on paper

©2011 Stacy L. Rowan

 

practice sketch 11

graphite on paper

©2011 Stacy L. Rowan

 

Now a summary of what I learned from this round…

• I think I am going to need to stick to a sketching style that combines line with value. When I try to draw without values I can’t get over the feeling that something is missing.
• The smaller sketches were easier because there were fewer details in the features. This made it simpler for me to concentrate on the shapes of the shadows without getting hung up in all the different parts of the eye, for example.
• Practice builds confidence. Even with as few as four sketches, I could feel a difference between the first and the last. By the last sketch my speed had improved marginally and I was more pleased with the quality of the result.
• I am enjoying this portrait practice much more than I expected. I hope you are enjoying it too, as I plan to keep sharing my progress.

Okay, now I'm off to find that comfy seat and warm blanket. See you next week!

Learning to Sketch Portraits - Part II

Today I listened to the Artists Helping Artists interview with Carol and David Marine. In one portion of the interview Carol was speaking about branching out into painting silly faces and how important it is for her to keep experimenting and trying new things in order to keep fresh and enthused about her art.

It was inspiring to hear her thoughts. They felt like support being sent in my direction to encourage this section of my latest journey. If you haven't listened to the interview yet, I highly recommend it!

So in Part I of this post I spoke about my desire to sketch more of my life moments and, how in the past, I have been stopped by my discomfort in sketching people.

My solution for this discomfort was to jump from the frying pan into the fire. A simultaneously exciting and frightening jump!

After trying my hand at sketching from other artists' sketches - both more linear sketches and value based sketches - I decided the next logical step was to try a sketch from a photo. You could say I was being thorough, or you could say I was avoiding the scary prospect of sketching from life. I think both statements are true!

My intention was to create a linear sketch because I am wanting a quicker sketching style. I also tried not to be concerned with likeness - as the saying goes that was easier said than done.

I chose to work from a rather small image thinking that a smaller image would have less detail. Detail often entices me to get fiddly, which I was trying to avoid. In hindsight I think working from a larger reference would have been easier.

Below is my sketch from a photo of my hubby. Handsome guy isn't he?

practice sketch 6

graphite on newsprint

©2011 Stacy L. Rowan

Reviewing the sketch above I can see I was more hesitant in this sketch than the sketches I posted in Part I. I'm not sure if I was intimidated by the challenge of capturing his likeness, if I was hampered by the size of my reference or if I was reacting to having to edit the detail I saw in the reference. (In the sketches I copied, obviously the artist who did the initial sketch had already been through the editing process and the subjects of the sketches were strangers to me.)

I can also see the style sliding toward more precise line work instead of using expressive lines. I am very interested as I continue this experiment to see where my natural style falls on the continuum from detailed and precise to loose and expressive. I secretly hope I can move along the spectrum towards the expressive, loose end. Time will tell if that is actually possible.

All of the sketches posted in Part I and the sketch above were completed in one afternoon. Feeling encouraged by my results I decided to finally take the brave step to sketch from life.

Several days later I was visiting my kids at school. I always carry a pocket Moleskine and pencil in my purse. Making use of these tools I made several quick sketches of my girls during the times when they were reading or working quietly at their desk. I limited my sketching to the times they were doing desk work because I didn't want to draw the teacher's attention and get sent to the Principal's office. That wouldn't have set a very good example!

The main challenge I experienced during this "sketching from life" session was that my models were not at all still! Honestly they moved every two seconds and rarely returned to the same position. They even knew I was sketching them (I had asked their permission first) and they still weren't still. Below are the results of sketching these moving targets.

practice sketch 7

graphite in Moleskine cahier pocket sketchbook

© 2011 Stacy L. Rowan

practice sketch 8

graphite in Moleskine cahier pocket sketchbook

©2011 Stacy L. Rowan

practice sketch 9

graphite in Moleskine cahier pocket sketchbook

©2011 Stacy L. Rowan





Practice sketch 9 is my favorite because the lack of facial features made for stress-free sketching! I was pleased that in all three sketches I stuck with line and did not resort to value. I was also happy that I remembered to leave some breaks in the line work. I did not have as many "suggested" areas as in the copied sketches but, because of the constant movement, I wasn't able to get to finicky.

The middle sketch was the most challenging because of the angle and because of the size of the sketch with respect to the page. Apparently I wasn't quite up for the challenge because the sketch makes my daughter look much older than she actually is!

For those of you who know my kids, sketches 7 and 9 are of the same child and sketch 8 is the other one. I'll leave it up to you to determine who is who.

In summary, I learned a lot from these two sketching session. In some ways sketching from life was easier than sketching from a photo. The built in time constraint made it almost impossible to get hung up on details and forced me to make quick decisions and live with the lines I put down.

I need a lot more practice to build fluency of line and expressiveness. I think that will come as I get more comfortable. Practice will hopefully also make it easier to capture a likeness.

I am excited for my next practice session. I already have a few magazine photos set aside and several personal photos in mind. I am also trying to identify times or activities which require my family members to sit still so I can make use of those times as live sketching sessions. Wish me luck as I think I live in a house of Energizer bunnies!

Learning to Sketch Portraits - Part I

For many years I have drooled over the sketchbook journals I see in other artists' blogs. I dream of someday documenting my life in such a journal, complete with fabulous drawings and witty and insightful writings. I will record all of the little magical details that make my life what it is. When my children are grown we will spend quality time reading the journals, reminiscing and sharing our memories with their children. Can you hear the swell of the violins playing in the background?

Then I wake up and know that it was just a dream, much like the dreams I have of living in the exquisitely decorated and perfectly clean designer homes they show on HGTV. Does anyone really live like that? If so, can you send them to my place and ask them to neaten it up a bit?

But even as I put the dream of perfection aside, I know I would still like to do more sketching of my life and family moments than I do. One thing that holds me back is that I am not comfortable sketching people and typically family moments have, well... family in them. And family means people.

The way I see it, the only way to ever become comfortable sketching people is to start practicing.

Sketching from a real, moving person seemed like a daunting place to start. So instead I went to the source of all knowledge -- the Internet!

There are quite a few artists whose sketches of people I admire. Going back to one of the practices of old, I decided to find a couple of their sketches and copy them.  Many art students learn their craft by copying master works in museums.

One of the good things about starting with this method of learning is that the artist who created the original sketch already did the hard work of translating the 3D figure into a 2D drawing. I was particularly interested in studying what kind of lines and shapes are used to quickly portray the facial features.

To get started I picked two artists whose sketches of faces I much admire.

First - Laura Frankstone
Laura publishes her incredible sketches on her blog Laurelines. Her sketches are wonderfully expressive and I love her use of line. Her sketches look like they are passionately constructed without any sign of fear or hesitancy. I knew there was a lot I could learn from her work.

Here are my three practice sketches in the order I completed them.

practice sketch 1

approx. 5" x 4" graphite on newsprint

practice sketch 2

approx. 7" x 6" graphite on newsprint

practice sketch 3

approx. 7" x 5" graphite on newsprint

I tried to get a sense of her mark making, where she drew the edges and where she let the mind's eye fill them in. I tried not to noodle around with my marks and instead tried to make them meaningful and get them down the first time.

If you look close you can see from the shadow of incomplete erasure where I wasn't very successful with that. Laura definitely makes it look easier than it is!

The second portrait sketching master that I chose to learn from is James Gurney.

James Gurney's blog Gurney Journey contains a wealth of information and I firmly believe that every artist should make time to check it out. Interspersed with all of the technical information you will find posts containing wonderful sketches of the people that James crosses paths with.

I chose to work from James's sketches because they are more about value and less about line. I wanted to try and translate those sketches into line work using marks similar to the ones I was experimenting with above. It seemed like a good intermediate challenge.

Here are the two practice sketches from this round.

practice sketch 4

approx. 4" x 5" graphite on newsprint

practice sketch 5

approx. 10" x 7" graphite on newsprint

It was definitely challenging to remember to think about and work with lines instead of value. Value is my comfort zone. Also on the first sketch I found myself getting fidgety and erasing and restating lines. I tried to break away from that in the second sketch by standing up and working larger, both of which I enjoyed. 

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Coming up in Part II -- The challenges mount: Working from a photograph and from life!

Upcoming Local Exhibit and Work in Process Update

drawing #8 WIP - tap dance series

©2011 Stacy L. Rowan

I have some good news to share! There is going to be another opportunity this year to view my artwork in my local community of Bethlehem, PA.

I know quite a few people lamented the fact that they were not able to attend my Open Studio in September. If you were one of those people, please read on. (Even if you weren't, please read on anyway. There are other details that might interest you.)

On Sunday November 6th I am thrilled to be exhibiting my artwork at the Tap Ties' Day of Dance and Friendship!

The wonderful Tap Ties ladies are hosting a fun filled afternoon of tap master classes followed by an informal performance and reception. The classes are open to intermediate and advanced tap dancers ages 12 and over. The reception and performance is open both to dancers and non-dancers. See their website for more information.

The Tap Ties directors have graciously invited me to exhibit my artwork during the event. My art will be on display outside of the dance room during all the classes and the reception. I will be showing a variety of pieces including (but not limited to) drawings and related products from my tap dance series. It is the perfect time to start holiday shopping for the tap dance lover or art lover in your life!
Click here for directions and a map.

The details...
Tap Ties Day of Dance and Friendship
Sunday, November 6, 2011
2pm - 6:30pm
Moravian College Dance Studio
Johnston Hall, Elizabeth Avenue
Bethlehem, PA

About the art...
The image above is a work in progress shot for what will become the next drawing in my tap dance series. I absolutely love my reference photo - another one snapped at a Tap Ties choreography session. I chose to use graphite for this image because of the subtle tones in the background and floor. Since I am using graphite, this drawing is moving a bit slower than my last two charcoal pieces did, but I think it is going to be worth it in the end.

And for the sake of complete disclosure, I will say that shortly after snapping this photo, I saw some things that I wanted to change so I spent a little quality time with an eraser. That certainly didn't speed up my progress any, but I'm happy with the changes which is all that really matters.

Sketching on Vacation

Clock tower of Carbon County Courthouse

graphite in Moleskine pocket sketchbook

©2011 Stacy L. Rowan

Last weekend I went away with my family for some end-of-summer family fun. We spent three days enjoying nature and touring the small town of Jim Thorpe, PA.

Jim Thorpe is an interesting town for a number of reasons. At one point it was the number two tourist destination behind Niagara Falls. It is located in the coal region of eastern Pennsylvania along the southwestern edge of the Pocono Mountains. The Lehigh River runs through town and the combination of coal, canal boats and railroads made the town prosperous in the 1800s. At one point 19 of the countries 26 millionaires owned property in Jim Thorpe!

For us the town provided the perfect setting for a long weekend get-away. It's combination of natural and historical attractions gave us plenty to see and do.

During the first two days we went hiking and white water rafting. Day three was spent in town touring the Asa Packer mansion and the old jail. These tours gave the family members over the age of twenty (I won't mention any names) a chance to recover from the more strenuous outdoor activities of the previous two days.

In between the two tours my family allowed me a few minutes for sketching. There were many worth subjects, however, in the end I chose to sketch the clock tower on the county courthouse. Mainly because there was a comfy bench strategically located across the street.

You can see the resulting sketch above.
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Related Links
Jim Thorpe, PA
Asa Packer Mansion
Old Jail Museum

In the Studio - May 25, 2011

Since yesterday was National Tap Dance Day, I thought I would post another update of the tap drawing I am working on.

drawing #8 WIP2 - Tap Dance Series

approx 8.25" x 11.5" graphite on paper

©2011 Stacy L. Rowan

National Tap Dance Day is a celebration of  tap dancing as an American art form. May 25th was chosen for this day of celebration because it is the anniversary of tap dancer Bill "Bojangles" Robinson's birthday.

The image above shows approximately 4 to 4 1/2 hours of additional work since the image posted on May 19th. People often ask me how long a drawing takes, so I thought these two shots would give an indictation of my pace for graphite work.

I worked on this drawing some more today and spent about 3 hours darkening the pant leg on the right hand side of the drawing. (I'm not sure the values above are exactly right. I didn't adjust my scan until after I had already put in the additional work so I was relying on memory!) I'm hoping that the right hand pant leg is now finally dark enough.

In the Studio - May 18, 2011

This is what I worked on in the studio today.

drawing #8 WIP - Tap Dance Series

©2011 Stacy L. Rowan

Actually this was today's starting point. After taking this scan, I put in about 3 hours working mostly on darkening the pant leg on the left and toning down some of the highlights on the right pant leg.

It has been a while since I did a graphite drawing. Graphite work takes me to an interesting place. On one hand adding the layers of graphite to build up the values is an almost meditative practice. On the other hand I sometimes get frustrated because building the darker values is such a slow process. So I flip back and forth between feeling very peaceful and zen-like, and feeling impatient and anxious to make progress.

Knowing this I normally start with the darkest areas because once I have them in the rest of the drawing goes pretty quickly.

Concert Sketching

I have been busy working in the studio but am not ready to share my progress there just yet, so I thought I would post a couple of quick sketches I did this evening.

My husband and I attended our kids' band concert. I often listen to music in the studio so I decided to try a few sketches while we enjoyed their performance. I haven't been sketching much at all this year, and after my daily habit the first half of last year, I am finding I really miss it.

sketch of band conductor

graphite in Moleskine pocket cahier sketchbook

©2011 Stacy L. Rowan

I chose the conductor for my first sketch which, of course, was a challenge since she was constantly moving. You think I would have realized that before I started, don't you?

For the second sketch I decided to take it easy on myself. I chose an audience member thinking a spectator would be more still than any of the band members. And I did feel more confident with the second sketch.

sketch of audience member

graphite in Moleskine cahier pocket sketchbook

©2011 Stacy L. Rowan

It was nice to be sketching again. I would love to find a system for fitting in more sketching without taking time away from my studio work. Anyone out there have any suggestions?

Tap Drawings at the Daylesford Abbey Show

I thought I would post some of the art I have on display at the Daylesford Abbey Art Show for those of you who either can't make the show, or who want to see what I am displaying before you make up your mind.

I decided to start by sharing the three drawings from my tap dance series which are in the show.

"Dancing Feet"

8" x 10" graphite on paper

©2010 Stacy L. Rowan

This is the first time I am showing "Dancing Feet" on the blog. The drawing was created from one of my reference photos of the lovely and very talented Germaine Salsberg. I did this drawing as a preliminary piece to a much larger watercolor (which I promise to share here soon).

"Icebreaker"

14" x 18" graphite on paper

©2009 Stacy L. Rowan

My "models" for the other two drawings are both Tap Ties company members - Melody Kline (above) and Amy Smith (below). The Tap Ties ladies have been wonderfully supportive of this series of drawings and paintings and have allowed me to photograph a number of their rehearsals, for which I am forever grateful.

"Keep on Your Toes"

18" x 14" charcoal on paper

©2009 Stacy L. Rowan