Artwork Headed to the Daylesford Abbey Art Show

I am pleased to announce that this year I will again be participating in the Daylesford Abbey Art Show.

Last year was my first try at being juried into this exhibit and it turned out to be my favorite show of the year.

Below is a sneak peek of some of the work I will be exhibiting this year.

Put Your Best Face Forward
18" x 22" watercolor on paper

A few years ago I took many reference photos of this yellow Gerber daisy. As I was looking for a reference for a new watercolor painting I saw this photo. The image made me think of how we all have a public face that we present to the world - showing what we think is acceptable - and a private one that we keep hidden - keeping to ourselves the parts that we think will make it harder for us to fit in.

Still in Yesterday's Clothes
8" x 10" watercolor on paper

My family shops at local farmers' markets weekly during the growing season, and I have a habit of painting the produce we bring home. I especially love when I find produce that still has it's leaves and stems attached. This pair of peaches reminded me of a couple getting home very early in the morning after a fabulous party. They may not be as beautiful as they were before the event, their clothes are a little wrinkled and they look a little tired, but you just know they had rockin' good time.

Leaves with Helicopters
8" x 10" watercolor on paper

I love autumn! It may be my favorite season. I love the smells of burning leaves and sweet apple cider. I love the warm, sunny days followed by cool, crisp nights. And I love the riot of color that explodes across the landscape. Yes, especially the colors, because I know they will be replaced by months of winter grey. So when I am out taking my morning walks in the fall, I can't resist collecting a colorful leaf or two... or possibly ten. And when the grey descends I paint the pretty leaves and return to the joy that autumn brings me.

Are You Getting my Good Side?
10" x 8" watercolor on paper

Cardinals are normally skittish birds, flying off at the slightest noise. This guy was hanging out in my pine tree feasting on some bird seed. Instead of flying away, I swear he started posing as soon as I trained the camera lens on him. He seemed a little full of himself, wanting to make sure I was capturing his best side.

Seasons' Reflections
10" x 12" watercolor on paper

I collect glass Christmas ornaments. I love how they catch the tree lights and magnify the shine. Many of the ornaments in my collection were gifts. Others I purchased while on vacation. As I unpack each ornament and hang it on the tree, I dip into those warm memories and linger in their comfort. The good feelings wrapped in those memories are reflected onto me each holiday season much the same way the glass reflects the lights on the tree.

Waiting
8" x 10" reproduction of graphite drawing

This little house finch comes to my backyard bird feeder. I tried to take his picture a few times but he always seemed to fly off when I went to grab my camera. I think he is shy. Then one day he showed up with his lady friend and I was able to snap a few shots while he was distracted by her attention.

Produce Note Cards

An assortment of 8 blank cards and envelopes featuring a collection of my produce images. Two cards each of the beets, peach, apple and pears.

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Related Links:
Daylesford Abbey Art Show

Show Details:
Opening Reception - October 13, 2012
3:00 - 6:00 pm
$30 per person

Free Admission to the show begins on Sunday, October 14, 2012

Show Dates: Sunday, October 14th - Sunday, October 28th
Show Hours: Daily 12 noon - 4:00 pm
             Wednesdays open until 8:00 pm

Address: 220 South Valley Road, Paoli, PA 19301

Call (610) 647-2530 ext. 100 for more information

Sketching the Past

I tried my hand at more people sketches today. I am not sure why I feel drawn to do this or where I am going with it, but it feels right so I am following my intuition.

This time I used two old family photos as references. The references are about three inches tall and two inches wide. The dimensions that I posted under each sketch show that I am working quite a bit larger than my reference material.

practice sketch 12

approx 7" x 5"

©2012 Stacy L. Rowan

I stopped during the second sketch for a work in progress scan. Here you can see that I sketched in the outlines of the head and body before adding the facial features.

practice sketch 13 WIP

©2012 Stacy L. Rowan

I still need more practice in order to get a quick and accurate likeness. I am working up to sketching from life. These sketches today required a little longer than I think I can expect in social situations.

practice sketch 13

approx. 7" x 5"

©2012 Stacy L. Rowan

But, the most important thing for now is that I thoroughly enjoyed myself while working on these. I am following my muse to see where she is leading me. So far it has been a fun journey.

I will definitely be finding additional old photos to use as references for this project.

Finding Balance

drawing #8 WIP - tap dance series

graphite on paper

©2011 Stacy L. Rowan

This week I went with my family to see the documentary "Being Elmo". It is the story of how Kevin Clash became the puppeteer behind Sesame Street's most beloved monster.

It is an excellent film about a man who followed his passion to become one of the most respected professionals in his field. I highly recommend the movie!

Based on the trailer, I expected the feel-good side of this story. But within this uplifting story there was also a little regret.

Mr. Clash spoke about how the demand for Elmo meant he that he traveled a lot and worked many hours. His passion for his work took him away from home and his daughter. You could see his sadness at missing out on some of the moments in her life.

I really appreciated his honesty on that topic. It was good to see that mastery doesn't come without tough choices. Many times that detail is glossed over in Cinderella-like stories of success.

But the truth is, everyone has to find a balance - the combination of working towards mastery of something they love and living the rest of their life - that works for them. It is often a trial and error process of testing different combinations until you find the balance that feels right.

Mastery is not a gift that some lucky people are just born with. It is the result of action, choices, decision and hard work.

I regularly evaluate the choices I am making to see if they support the balance that is important to me. I check to see if my actions support my priorities of family life, taking care of my health and spending time on my passion (art). If I've gotten off track, then it is time to start making different choices.

My balancing act this week included fitting studio time and some exercise in around our Christmas preparations. I tried a new-to-me approach this past Monday.

Monday was a cool, overcast day and as soon as I crawled out of my warm, cozy bed I was chilly. I have learned from experience that when I sit still at my studio table for a few hours I often get cold. I am too "in the zone" when I am working to notice it happening, but once I stop I realize I am quite chilled! (It doesn't take much to get me cold. My husband claims I only have a 5 degree temperature window in which I am actually comfortable.)

I decided to try and avoid the chill by chopping up my exercise into intervals. I started with about 7 minutes of brisk walking on the treadmill. Then I spent an hour drawing. Followed by another 7 to 8 minutes of walking, an hour of drawing, etc.

At the end of my time I had managed about two and a half hours of drawing and two and a half miles of walking! And after my first interval of walking I wasn't cold the rest of the day! This is a balancing tactic that I will definitely use again.

My drawing time was spent working on the above tap piece. I am really happy with how it is coming together.

Upcoming Local Exhibit and Work in Process Update

drawing #8 WIP - tap dance series

©2011 Stacy L. Rowan

I have some good news to share! There is going to be another opportunity this year to view my artwork in my local community of Bethlehem, PA.

I know quite a few people lamented the fact that they were not able to attend my Open Studio in September. If you were one of those people, please read on. (Even if you weren't, please read on anyway. There are other details that might interest you.)

On Sunday November 6th I am thrilled to be exhibiting my artwork at the Tap Ties' Day of Dance and Friendship!

The wonderful Tap Ties ladies are hosting a fun filled afternoon of tap master classes followed by an informal performance and reception. The classes are open to intermediate and advanced tap dancers ages 12 and over. The reception and performance is open both to dancers and non-dancers. See their website for more information.

The Tap Ties directors have graciously invited me to exhibit my artwork during the event. My art will be on display outside of the dance room during all the classes and the reception. I will be showing a variety of pieces including (but not limited to) drawings and related products from my tap dance series. It is the perfect time to start holiday shopping for the tap dance lover or art lover in your life!
Click here for directions and a map.

The details...
Tap Ties Day of Dance and Friendship
Sunday, November 6, 2011
2pm - 6:30pm
Moravian College Dance Studio
Johnston Hall, Elizabeth Avenue
Bethlehem, PA

About the art...
The image above is a work in progress shot for what will become the next drawing in my tap dance series. I absolutely love my reference photo - another one snapped at a Tap Ties choreography session. I chose to use graphite for this image because of the subtle tones in the background and floor. Since I am using graphite, this drawing is moving a bit slower than my last two charcoal pieces did, but I think it is going to be worth it in the end.

And for the sake of complete disclosure, I will say that shortly after snapping this photo, I saw some things that I wanted to change so I spent a little quality time with an eraser. That certainly didn't speed up my progress any, but I'm happy with the changes which is all that really matters.

In the Studio - May 25, 2011

Since yesterday was National Tap Dance Day, I thought I would post another update of the tap drawing I am working on.

drawing #8 WIP2 - Tap Dance Series

approx 8.25" x 11.5" graphite on paper

©2011 Stacy L. Rowan

National Tap Dance Day is a celebration of  tap dancing as an American art form. May 25th was chosen for this day of celebration because it is the anniversary of tap dancer Bill "Bojangles" Robinson's birthday.

The image above shows approximately 4 to 4 1/2 hours of additional work since the image posted on May 19th. People often ask me how long a drawing takes, so I thought these two shots would give an indictation of my pace for graphite work.

I worked on this drawing some more today and spent about 3 hours darkening the pant leg on the right hand side of the drawing. (I'm not sure the values above are exactly right. I didn't adjust my scan until after I had already put in the additional work so I was relying on memory!) I'm hoping that the right hand pant leg is now finally dark enough.

In the Studio - May 18, 2011

This is what I worked on in the studio today.

drawing #8 WIP - Tap Dance Series

©2011 Stacy L. Rowan

Actually this was today's starting point. After taking this scan, I put in about 3 hours working mostly on darkening the pant leg on the left and toning down some of the highlights on the right pant leg.

It has been a while since I did a graphite drawing. Graphite work takes me to an interesting place. On one hand adding the layers of graphite to build up the values is an almost meditative practice. On the other hand I sometimes get frustrated because building the darker values is such a slow process. So I flip back and forth between feeling very peaceful and zen-like, and feeling impatient and anxious to make progress.

Knowing this I normally start with the darkest areas because once I have them in the rest of the drawing goes pretty quickly.

Jumping Off Point - Tap Dance Series Charcoal Drawing

"Jumping Off Point"

18" x 24" charcoal on paper

©2011 Stacy L. Rowan

Available

This is my newest charcoal drawing. I finished it earlier this month and then had to wait for a bright day to snap a photograph of it. (And I might try again since I'm not 100% happy with this shot.)

I had so much fun working on this drawing. As with the rest of the series, my "jumping off point" for this drawing was the motion. I love how everything is moving in the drawing except that front foot, and I love the contrast between the sharp detail of that foot and the softer lines and edges in the legs.

This drawing is bigger than my other charcoal pieces in the series. I wanted to create a sense of space for all of this motion to take place in without feeling cramped. I also worked to create a feeling of distance between the front foot and the back foot. It is a big movement and I wanted to convey that to the viewer.

My model for this drawing is my friend and tap teacher Rochelle Haynes. I met her when I began taking the Tap Ties advanced tap class and I was blown away by her talent. She has a style of dance that is very intricate and that squeezes so many sounds into a single eight count. But somehow her dancing never looks hurried and she manages such clarity in each of the sounds. She makes it look and sound easy, but I can tell you from experience that it is not!

In addition to choreographing some wonderfully complex and intricate pieces she occasionally also pulls out some mad tricks to challenge the class. The reference for this drawing is a shot of her landing after one of those special moves. It might have been some kind of wing, but I was watching through the camera lens so I'm not really sure.

Rochelle was an awesome muse and I have many references from our photo shoot. I am sure you will be seeing the product of some of those references again in this series.

Thank you Rochelle! When I grow up I would be thrilled to be half as good at tap as you.

Majors at Daylesford Abbey Art Show

This is the last weekend for the Daylesford Abbey Art Show in Paoli, PA. It is open today and tomorrow from 1pm until 4pm.

As I mentioned in my last post, I am showing artwork in both the miniatures and the majors categories. So as not to be accused of playing favorites, I thought I would show you some of the major works as well.

Each artists is allowed to bring up to 5 major pieces. You have already seen 3 of the ones I am showing - Icebreaker and Keep on Your Toes from my tap dance series, and Peter's Missing Snack which is the carrot painting in my blog header.

Here are the other two pieces.

"Sacrifice"

18" x 8" watercolor on paper

©2007 Stacy L. Rowan

"Ten Minutes Peace"

28" x 22" charcoal on paper

©2008 Stacy L. Rowan

Tap Drawings at the Daylesford Abbey Show

I thought I would post some of the art I have on display at the Daylesford Abbey Art Show for those of you who either can't make the show, or who want to see what I am displaying before you make up your mind.

I decided to start by sharing the three drawings from my tap dance series which are in the show.

"Dancing Feet"

8" x 10" graphite on paper

©2010 Stacy L. Rowan

This is the first time I am showing "Dancing Feet" on the blog. The drawing was created from one of my reference photos of the lovely and very talented Germaine Salsberg. I did this drawing as a preliminary piece to a much larger watercolor (which I promise to share here soon).

"Icebreaker"

14" x 18" graphite on paper

©2009 Stacy L. Rowan

My "models" for the other two drawings are both Tap Ties company members - Melody Kline (above) and Amy Smith (below). The Tap Ties ladies have been wonderfully supportive of this series of drawings and paintings and have allowed me to photograph a number of their rehearsals, for which I am forever grateful.

"Keep on Your Toes"

18" x 14" charcoal on paper

©2009 Stacy L. Rowan

Straight Talk - Tap Dance Series Charcoal Drawing

Straight Talk

18" x 14" charcoal on paper

©2010 Stacy L. Rowan

Available through William Ris Gallery

Straight Talk is the second charcoal drawing in my tap dance series. It may look familiar since I showed the start to it here.

Although this drawing shows a simpler step with only one foot in motion, the movement is still what attracted me to the reference.

I love that the foot on the right is a balance of movement and sharper, almost still areas. The best tap dances also have a balance of movement and stillness. A perfectly placed pause gives the steps a chance to breathe and will feel as loud as a stamp when it follows an intricate series of steps. A little well placed silence will help a piece shine much like the way the sharp highlight of the toe tap provides contrast to the movement of the dark shoe in this drawing.

I completed the drawing last year. It is currently being shown at the William Ris Gallery in Stone Harbor, NJ along with several other works in this series. Please contact them through the link above or the one in the right column if you are interested in purchasing this piece.

Virtual Open Studio 2010 - Post #4

After you've had your fill in the kitchen, you can walk down the single step into the family room. Immediately in front of you is a black rack holding an assortment of prints and a table displaying a basket of note cards. (Information about the note cards will be featured in the next VOS post.)

In between these, on the round table, is the small original painting Onions.

 In the center of the room on the ottoman is another unframed original painting of an apple. The miniature drawing of the Central Moravian Church of Bethlehem is also here.

Above the couch are two framed charcoal drawings - Sunquats on the left and Keep on Your Toes from my tap dancing series on the right.

Directly behind you above the large cabinet is one of my floral paintings titled Purple Distraction.

On either side of the fireplace you will find the painting Sacrifice

and my series of watercolor leaves.

On the table near the leaves is a new graphite drawing for the tap series which I will share here soon.

Remember there is still time to enter your name into the door prize drawing. Just leave a comment on any of the Virtual Open Studio posts. It doesn't have to be a comment about the open studio or the art. A simple "I was here!" will do the trick. Now is a great time to enter because I've decided to add a second prize! Check out post #5 later this week to find out what it is.

All images ©2010 Stacy L. Rowan

Virtual Open Studio 2010 - Post #2

Now we are going to move on from the living room into the dining room.

Placed across from the doorway from the living room, Warmth for the Lonely Traveler is the first paintings you will see. It is a painting of the guest suite in the local, historic Sun Inn.

Tranquil Spring Day is a painting of another local landmark, the Burnside Plantation, and is also hung in this room.

In addition to these two paintings, the dining room is also the showcase for the Christmas table.

Now I have to admit, it pained me to set up a Christmas table seeing as how it isn't even Halloween yet. The Christmas table breaks every rule I've ever made about holiday decorating. But I made these cute little ornaments from some of my daily sketches and they were begging to be displayed together. So I decided to break my own rules in the name of art.

In addition to the new ornaments, the display also contained some holiday note cards, the Christmas Bells painting, and my new covered bridge miniature*.

Other paintings hanging in the dining room include Rainbow Tea and Crisp.

* I just realized that I haven't shared the covered bridge miniature here. I promise to do that once I wrap up the Virtual Open Studio. If you can't wait, you can find it now over on my Facebook Fan Page in the photo album titled "miniatures".

Virtual Open Studio 2010 Begins

Welcome to my Virtual Open Studio! So glad you could make it!

I will give you a guided tour, broken up into several manageable segments (posts). Then I will leave you to browse. Please take your time and don't be afraid to ask questions. All of the artwork featured in this Virtual Open Studio was created by me and is available for purchase unless otherwise stated. Enjoy your visit!

When you first enter, this little table is on your left. The papers provide information about me - Stacy Rowan - and my art. This year I also included a print out of my "Why I Am and Art Collector" blog post. Above the table hangs the watercolor "Seasons' Reflections".

Proceeding into this room you see the wall directly across from the entry. Hanging above the sofa is a grouping of three pieces - two graphite drawings and one charcoal. They are "Kitchen Reflections", "Icebreaker" and "Ten Minutes Peace".

The spacing for this groups of works is not ideal, but I was trying to minimize the number of extra holes I put in my walls. Remember these works typically aren't hung here. People are sometimes surprised that I don't live with all of my paintings hung around the house, but I still regularly exhibit this work and I don't want to stare at a blank space when a piece is off at a show.

On the table next to the sofa is this matted original watercolor of a jelly jar. The other small, original painting which is flat on the table was sold during the Open Studio. If you were standing in front of this table and turned your head to the left, you would see another graphite drawing titled  "Want to Play".

Across from the sofa is this corner of the room where two paintings are displayed - "Poinsettias" and "Detwiller House - Center Square, Easton". Below the "Detwiller House" painting, I displayed a basket of note cards as well as some matching note pads.

That concludes the first section of the Virtual Open Studio. Please feel free to leave any questions in the comment area. And a reminder, anyone leaving questions or comments will be entered for the door prize drawing.

Autumn is Here!

Hello loyal readers! I'm zipping in today for a quick update in case some of you were wondering if I was extending my summer break into the autumn months. As lovely as that might sound when my alarm first goes off, by the time I'm fully awake I find that I'm happy to be back in the swing of things.

Much of my time right now is being put towards preparing for my Second Annual Open Studio (details below). In addition to matting up some paintings that have been patiently waiting in the "complete and ready to mat" pile, I have also been trying my hand at some miniatures.

I seem to have picked up quite a collection of little, bitty frames. Their cute size and agreeable price make them hard to resist. And although I only pick up one or two at a time, their numbers have multiplied to a point that I could no longer ignore them.

So I've been sitting down with my charcoal and graphite pencils and having some miniature fun! The timing couldn't be better since these pieces will allow me to offer some lower priced original works at my Open Studio.

Echinacea Buffet

charcoal on watercolor paper

3.5" x 2.5"

©2010 Stacy L. Rowan

Now about that Open Studio... It is being held this Friday, September 24th and Saturday, September 25th in my home (because that is where my studio is). Unfortunately, since it is in my home, I'm not comfortable opening up the invitation to the general public. While I know that all of my readers are normal, sane people, there are some ... ummmm ... let's just say less sane people out there on the internet.

I promise I will share pictures and an update of the event and throw in a little extra surprise to make it up to you. Think of it as a virtual version of the Open Studio.

If you happen to be a local collector, and for some reason did not receive your invitation in the mail, please drop me an email. My address can be found in the column on the right. Thanks!

Symbolic Still Life Group Show

Kitchen Reflections

10" x 13" graphite and charcoal

copyright 2005 Stacy L. Rowan

I am pleased and honored to announce that my art is part of the Symbolic Still Life Group Show at the Newberry Gallery in Santa Monica, CA. The show opening was held last night. I couldn't be there so I am anxiously awaiting pictures and an eye witness report from Michael Newberry (artist and gallery owner) and Robin Neudorfer (friend and fellow artist).

The show also features the art of:
Robin Neudorfer
William Wray
Mary Woodul and
Michael Newberry

Symbolic Still Life is a show of still life paintings, drawings, and pastels by contemporary artists expressing their personal iconography through using symbolism. Powerful imagery, dynamic compositions, beauty, and a personal message, either obvious or subtle, are the ideas guiding the selection for this show.

The show runs through June 4, 2010, so if you are in the area please stop by and enjoy the wonderful art and the stories behind the works.

I am also in the process of adding some static pages to this blog. (Thank you Blogger for this new feature!) One of the first pages I have added is a "Now Showing!" page. This page will point you to the galleries and shows were you can see my art in person. The pages can be accessed from the tab links found directly below the title bar.

Tap Dancer Drawing - Keep on Your Toes

I am currently working on two new tap dancing pieces - a charcoal which I showed the start of here and a new watercolor. I am nearly finished the charcaol and am getting excited to share it. While thinking about that, I realized that I never posted my last drawing. Today seemed like a good day to remedy that oversight.

Keep on Your Toes

14"x18" charcoal on paper

copyright 2009 Stacy L. Rowan

available at the William Ris Gallery

This is my fifth drawing in my tap dancing series and the first one that I did in charcoal. (If you've missed the other drawings in the series, click the link above or type "tap" in the Blogger search bar on the upper left and the search results will show you all the tap related posts.)

Again my model for my reference photo was one of the lovely ladies of the Tap Ties company. In fact with this drawing I reached the milestone of having drawn all four pairs of feet. Surprisingly, they knew whose feet were in each drawing without me telling them!

While dancing, the tap dancer needs to keep on her toes - figuratively speaking. It is like participating in a fast moving discussion. She has to be ready for quick movements and sudden weight changes. Hesitation will be heard. Achieving a crisp sound requires everyone in the group to be perfectly synchronized. The dancer needs to know if the step requires her to keep her weight on her toes, like the cramp roll shown here, to keep the weight on her heels, say for toe taps, or to keep her weight right in the middle. Concentration, agility and grace are required to make the performance look effortless.

If you are interested, this drawing is being offered for sale through the William Ris Gallery of Stone Harbor. In fact I am very pleased to announce that they have recently added images of my tap drawings to their website.

Day 2 - Angel

Christmas Kitchen Angel sketch

Pitt sepia brush pen in Moleskine cahier pocket sketch book

copyright 2010 Stacy L. Rowan

Making use of the Christmas decorations while they are still up. This is a rather fussy angel that sits on the kitchen windowsill during the holiday season. She has a home in the kitchen because when we first got her, quite a number of years ago, her garland and crown were adorned with cinnamon sticks, berries, peppercorns and star anise. Some of it is still there, but definitely worse for the wear of being packed away each year.

2010 Goals

Around Thanksgiving my sister started talking about doing a Project 365 during 2010. She wanted to take a picture a day, every day for the entire year. Being the supportive sister that I am, I tried to talk her out of it. Committing to EVERY day - that's just insane. I suggested a project 52 instead (one photo a week for the year) or a project 30 (one photo every day for a month). Nope. She wanted the full 365.

At Christmas she said she was still thinking about it. I just shook my head.

When I saw her a few days after Christmas she told me that if I would do it with her, she would do it. WHAT?! No way!! I couldn't commit to a painting a day! It would take too much time. And I already had goals in mind for this year. Goals like...

• complete 3 new charcoals for my tap series,
• complete 3 new watercolors for my "Locally Grown" series and
• try a couple of tap pieces in watercolor.

I need these larger pieces to complete my goal of entering a couple of juried shows. I don't have time for a Project 365. End of discussion.

But she had planted a seed. And it started to take root. So a half an hour before we walked out the door on New Year's Eve, I sent her an email. I said if she was still interested in the photo project, I'd sign on with her. But since I haven't totally lost my mind and I don't want to give up on my other goals, I committed to complete a sketch a day, every day for the entire year.

Truthfully, I'm scared silly. I don't know if I can achieve this goal. It feels like a huge stretch for me. But stretching is good for me, right? If I don't stretch, how will I ever test my limits?

So below you see the first of my 365 sketches - a holiday noise maker. As a result of this project, you will probably see me posting more sketches to my blog this year than I have in the past. And while I promise to be honest about my progress on this project, I am not committing to posting every day or even every sketch. That would be stretching just a little too far I think.

Pitt sepia brush pen in Moleskine cahier pocket sketch book

copyright 2010 Stacy L. Rowan

Happy Thanksgiving!

Happy Thanksgiving everyone! I hope today finds you surrounded by people who love and support you.

Pitt brush pen in Moleskine cahier pocket sketchbook

copyright 2009 Stacy L. Rowan

Among the many things I am thankful for this holiday are galleries that partner with artists to help us sell our work. In particular, the wonderful William Ris Gallery in Stone Harbor which accepted some of my work this summer. This gallery is opening a new show tomorrow (Friday, November 27th) which will run through January. The show is A Tribute to 100 Artists. Here is an excerpt from their press release...

"[This show] honors their talented and diverse stable of painters, sculptors, and craftspeople. Each artist has hanging one or more pieces of work. The juxtaposition of these varied styles makes for an exciting compilation, creating a balance and rhythm of color, palettes, pigments and perspectives. The works stretch from landscapes, still life, figurative, realism to abstract and vary in media from watercolor, oil, acrylic, pastel, mixed media, wood to ceramic."

They are celebrating with an open house all Thanksgiving weekend. Please stop by if you are in the South Jersey shore area.

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The sketch above is of Indian corn - a staple of Thanksgiving and autumn decorations. For those of you who don't know, Indian corn is the name for cobs that have colored kernels vesus the common white or yellow kernels. I am sure other places in the world must call it something else, but I only know it as Indian corn.

Tap Dancer Drawing - Off the Cuff Remark

"Off the Cuff Remark"

18" x 14" graphite on paper

copyright 2009 Stacy L. Rowan

available at the William Ris Gallery

This is my fourth graphite drawing in my tap dancer series. I chose to call it "Off the Cuff Remark". When something is done "off the cuff" it means it is done without prior preparation or planning. This tap step has a nice sharp sound created by the quick snapping motion of the toe as the leg is drawn back.  It makes me think of a witty retort tossed into a rapidly paced conversation.

As I was drawing this I took some work in process photos that I thought I'd share.

work in process - image 1

I start all of my graphite and charcoal pieces with a contour drawing and then move onto the shading. For me the shading makes a drawing come alive. Here I started laying in the shadow shapes using a rough cross hatching technique. It takes quite a few layers to build up a good solid dark on this paper, so I know I have plenty of time to smooth out the hatching later.

work in process - image 2

Next I moved onto the stationary foot. Since this series of drawings is about tap dancing, it is very important to me to get the tap shoes right. I don't want to spend a lot of time on the legs until the details in the shoe are nailed down. Also, I knew I wanted my darkest darks to be in this shoe. I needed to get them in the drawing early so as to define my range of values.

work in process - image 3

If you compare this image with the one above it, you can see that I stuggled a bit to figure out what the hips were doing. I was confused because in my reference photo it looked like I could see the full width of the hips, but at the same time I was only seeing the side of the knee. My mind couldn't figure out how that could be possible. To resolve my confusion I ended up standing in front of a mirror trying to recreate the pose. Believe me this was more difficult than it sounds. The answer is that the knee swings in as the leg moves.

To reach the final image at the top of the page, I darkened a lot of my values and added in the reflection on the floor.

Now a little story about this drawing... Shortly after I completed it, I had the opportunity to take a master class taught by the tap dancer who was the reference for this drawing. It was my first time taking a class with her. (My reference photos were taken while she was teaching choreography to the Tap Ties company.)

After warm-ups, she taught us a short combination and in the combination was this exact step. As soon as she did it I recognized it as the step in my drawing. My mind excitedly yelled at me  "That's it! That's the step!" And that quickly I switched over from the dancer part of my brain to the arist part of my brain.

As a result I completely missed the next couple of steps in the combination. Apparently the artist part of my brain can't learn tap steps when it is comparing the feel of a movement to the lines in a drawing. Luckily for the dancer part of my brain she went over the steps a second time.

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This series of four graphite drawings -

Off the Cuff Remark

Quick Turn of Phrase

Ice Breaker

Riff

is available in a set of 8 note cards (with envelopes). Each card measures 4.25 x 5.5 inches. Price for a pack of cards is $10 and includes shipping. Please use the Buy Now button to purchase.

You can also find other products featuring my tap dance art at my Cafe Press store. It's a great place to find gifts for your favorite tap dancer.