Showing posts with label art materials. Show all posts
Showing posts with label art materials. Show all posts

Thursday, April 5, 2012

Sketching Eggs

sketch of eggs
approx. 8" x 7"
water soluble graphite on paper

Working some more with the water soluble graphite pencil, last night I decided to sketch some eggs. Well, actually it was one egg sketched from three different angles.

What better sketching subject than an egg on a beautiful spring night the week before Easter?

I really liked how the dry sketches looked, so in the end I only wet the one at the top. In fact, so far that is the only negative thing I have to say about this pencil. I enjoy the look of the dry sketches so much that it is difficult to decide if I want to finish them with the water brush or not.

(The lines emanating from the top egg aren't really there. The scanner picked up the shadows from the slightly wrinkled paper.)

Thursday, March 29, 2012

Water Soluble Graphite

Last week, after surviving long enough to complete my daffodil sketch, I moved to a different spot on the patio and created this sketch of a metal chicken that likes to hang out under one of the bushes.

sketch of metal chicken - dry
watersoluble graphite on paper
approx 7" x 6"

I used a "medium wash" Derwent Watersoluble Sketching pencil for the sketch.

I've had the pencil for a while, and even though it has a permanent spot in my sketching pencil case, I have only used it once or twice before. My avoidance has nothing to do with the pencil. It is more out of habit and the comfort level I have with my typical sketching materials than anything else.

I'm not quite sure what made me grab it last week, but I'm happy I tried it out again.  I like the thicker point and the feel of the pencil on the paper. It was a perfectly nice pencil to sketch with.

And then it got better.

After scanning the sketch in its original version, I used my water brush to wet the lines. You can see the results below.
same sketch of metal chicken after wetting
watersoluble graphite on paper
approx 7" x 6"

I love how the use of the water brush turned a rather scribbly sketch into something more refined. The range of values is great. And since it takes very little water to dissolve the marks, the pencil can be used in a regular sketchbook, which is how I used it here.

I will definitely be using this pencil again! Between the Inktense pencils and now the Watersoluble Graphite pencil, it seems that Derwent products currently make up a rather large part of my sketching kit.

(The opinion expressed here is not a paid endorsement. It is an unsolicited review of my experience. Derwent has no idea who I am.)

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Thursday, January 5, 2012

Playing with New Toys

One of the great things about this time of year is that I often have new toys to play with courtesy of the Christmas holiday. The other day I opened up my new Schminke watercolor set.


The set was actually a gift to myself - what we call in my house a "from me to me". I have been wanting to try the Schminke watercolor pans for some time and saw a great deal in December that suggested it was the right time to give them a whirl.

The set came with a list of included colors. The list has space for painting a swatch of each color. The paper the list is printed on is not a normal watercolor paper, so I had a difficult time getting the colors to bleed. But it was more than adequate for capturing a mid-value of the different hues.


The completed color chart is also useful because it lists the paints in the order the manufacturer placed them in the box. Since the pans are new to me, I cannot easily tell which blue is which just from how they appear in the pans. But with the chart, all I need to do is keep them in the order they came in. At least until I have all the paints memorized.

While I was playing with color, I decided to finally break out the color chart that I bought last year from Daniel Smith.

The chart I purchased contained samples of 238 of their "most popular" tube colors. Each sample is in the form of a "paint-able dot" of paint. And the paper used for the chart is actual watercolor paper.


To test the samples, I individually wet each dot and bled the color out trying to get a range of values. I also painted a single line of saturated color next to the dot.

In addition to the fun of trying the colors, I was pleased that each paint had it's common properties printed below the dot. This information included name, transparency, staining, granulation and light fastness. The only addition that I would suggest is the inclusion of the pigment number.

I currently have about 5 or 6 Daniel Smith tubes in my collection. Now that I have this visual tool I think that number will be going up.

What new art supplies have recently made their way into your studio? Are any of the additions something you would recommend to others? Please feel free to share your finds by leaving a comment.

Thursday, March 10, 2011

Comparing Watercolor Papers

(untitled - any suggestions?)
8" x 10" watercolor on Arches paper
©2010 Stacy L. Rowan

Ever since I first started painting with watercolors, I have used Arches 140lb Cold Press watercolor paper. I think I chose this paper because the instructor of the first watercolor class I took recommended it. And it has never given me any reason to switch.

But I kept hearing other artists talk about different papers that they adored. I tried to ignore their enticing stories, after all I was in a committed relationship with a paper I loved, but curiosity is a temptress.

One of the papers I've often heard lovely things about is Fabriano Artistico watercolor paper. So I did the unthinkable and bought myself a sheet. I stored the paper away in my flat file and there it sat. And sat, and sat, and sat.

The problem was that I didn't know how paint would handle on the Fabriano paper, and I was afraid to use it for any painting for fear that I my inexperience with the paper would lead me to mess up the painting.

I kept waiting for a painting that I wouldn't mind sacrificing in the name of learning and that painting never came. It was like contemplating sacrificing one of my children. Not gonna happen.

But I really wanted to try the new paper.

Then it came to me... the idea to paint two simultaneous paintings - one on Arches and one on Fabriano. So that's what I did. You can see the results in this post.

Sweet Dreams
8" x 10" watercolor on Fabriano Artistico paper
©2010 Stacy L. Rowan

Visually I think the paintings are very similar except for a few minor changes in color choice. (I found that I wanted to make some changes along the way and have them not be completely identical. I just couldn't help myself.)

I enjoyed trying out the Fabriano Artistico. It did handle paint differently than the Arches. The biggest difference was the ability to lift dry paint. It is much easier to lift the paint on the Fabriano than on the Arches.

In some cases this is a benefit, like when I wanted to soften edges but was a little slow at getting back to them. At other times it was a little frustrating, like when adding a wash to an already painted area. Occasionally the dry paint would lift causing the two washes to physically mix. I found that water control is very important when painting over a dry area.

I actually found that painting on the Fabriano was similar to painting on Aquabord. If I hadn't had experience with Aquabord I might have been more frustrated working on the Fabriano paper the first time.

My verdict - I will definitely use the Fabriano paper again. Although, given my comfort level with Arches paper and the fact that the stuff is nearly indestructible, I will probably still reach for the Arches more frequently. For me Arches is like that old pair of shoes that fit so comfortably. And since I've never had any problems with it or been dissatisfied, I don't feel that I need to make a change.

That being said, I do think it is good to have more than one option when it comes to supplies. So I am happy to now have two papers which work well for me.

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Links
Arches Watercolor
Fabriano Artistico

Note: I was not compensated for this review in any way.

Saturday, January 8, 2011

Seeking Recommendations

banana sketch (Day 140)
sepia ink in Moleskine cahier pocket sketch book
©2010 Stacy L. Rowan

I was lucky enough to receive as a Christmas gift a gift card for the local art supply store. (Okay, so maybe it wasn't all luck since I asked for it, but I was lucky that someone actually followed through on my request!)

I need to replenish some of my standard supplies, but I should also have enough money to pick up some new materials to experiment with. I am looking for recommendations from my fellow artists to help me choose between all the options.

There are two things in particular that I want your opinions on.

1) Paper for Charcoal Drawings -  I currently use Rives BFK paper for my charcoals, but I'd like to try another paper. In particular I'm looking for a paper that allows me to easily achieve subtle value changes. I'd also like a paper which is easy to tone since I typically start my charcoal pieces by laying down a consistent mid-value tone.

What papers do you like working on when you use charcoals or pastels?

2) Watercolor Sketchbook - I have been doing more sketching with watercolors lately. Last year I finished up a small Canson book and now I am about half-way through my Moleskine watercolor book. I actually like the Moleskine paper and will probably buy another of these, but I would also like to try a new watercolor sketchbook.

What is your favorite sketchbook for using watercolors or other liquid mediums?

Now I am pretty sure that every artist has one or two things they can't live without. For instance, I find that I repeatedly turn to the Faber-Castell Pitt pen with sepia ink and a brush tip for sketching. And I love my Winsor & Newton Sceptre Gold round brushes for painting.

If you feel strongly about any of your materials and want to share the love, I'm listening. After all, there is always Christmas next year once this gift card is done.

Thanks for your input! I can't wait to go shopping!
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For the record, I am not in any way being compensated by the companies above or by Dick Blick (the links I provided). This is just the stuff I regularly use.