Hazards of Sketching

daffodil sketch

graphite on paper

We have been having absolutely beautiful weather the last couple of weeks. Yesterday I finally made time to go outside and sketch some of the Spring flowers, trees and the random garden ornament.

Since I was headed outside anyway, I decided to refill my empty bird feeder before I settled in. Perhaps this wasn't the best idea.

What I didn't realize was that there is apparently some sort of "Bat-Signal" in our neighborhood which calls birds to refilled feeders.

sketch of metal garden ornament

graphite on paper

For my first sketch I sat on a small cushion on the patio right in front of a large bunch of daffodils. The daffodils are growing up right next to the hook that holds the bird feeder.

Within minutes a little bird showed up - drawn by the Bat-Signal that is invisible to the human eye - and landed in the dogwood tree behind the daffodils. He was happily hopping around until he spotted me. When he saw me, he froze for a split second, then started wildly flapping his little wings and flew away in what I can only assume was panic.

This scene repeated itself multiple times, including with a pair of woodpeckers. The way they frantically flew away and the sounds of their beating wings started to freak me out a bit. I mean what if in their confusion they flew at me instead of away from me? Or what if they flew at me on purpose with the intent to attack?!

... What? It could happen. It could.

rhododendron sketch

(I know it says azalea buds, but they are rhododendron buds. Honest.)

ink on paper

But I decided that I would not let the savage attack birdies chase me out of my own yard. After all they don't pay the mortgage. They don't even pay for the birdseed! And I should be allowed to sketch freely in my own backyard.

So I stood my ground.

And sketched as quickly as possible!

Then I moved on to other sections of the yard. Ones that were further away from the freshly filled bird feeder!

Preparing for Spring

ink sketch of swing supplies

Perhaps the title should be "Preparing for Swing" instead...

Last Christmas my daughter received a swing as one of her gifts. She has always loved to swing. As a toddler she would swing until my arms were so tired I couldn't push her even one more time.

We used to have a swing set in the yard, but after years of solid service it became significantly less solid. We were forced to take it down before it fell down on its own!

Now there is a new swing. With the warm weather we are having it seemed like time to hang it up, so my hubby went to the store to buy the necessary hardware - chain to hang over the tree limb and two clips to connect the swing to the chain.

After he got home, I sketched his purchase. The chain links are so large I felt I had to include the quarter for size comparison. The 37 links of chain must weigh over 5 pounds! And each clip is rated to hold roughly 250 pounds!

I'm not sure how many kids my hubby thinks are going to sit on the swing at one time - I'm thinking the one at a time rule should apply here - but I'd say he's prepared for just about any number. I guess it is better to over-engineer and be safe than to under-engineer and have a pile of kids heaped under the tree! I wonder if he has considered reinforcing the tree limb...

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Happy Winter is 65% Over Day

This winter my husband has been sending me emails with a winter countdown of sorts. Each email is titled similar to the title of this post.

crocus sketch

watercolor on paper

Most years, as soon as we get through the shortest day of the year he starts saying "Winter is on the run!" Mind you, the shortest day of the year occurs in December, and where we live winter pretty reliably lasts through March, but that doesn't phase him.

This year he has taken it a step further. Using a calculation method known only to him, he has been having a count down and informing me of each milestone we hit. According to him "Happy Winter is 65% Over Day" was actually on Monday. Today might actually be 67.3% Over Day, but I decided a little rounding couldn't hurt.

My system for tracking the progress of Spring's arrival is a little more straight forward. I watch for nature's cues.

snowdrop sketch

graphite on paper

My snowdrops and winter aconites are up and blooming. The daffodil leaves are several inches tall. And the tips of the other Spring bulbs are starting to appear above ground.

We have had a mild winter, so I am finding hubby's emails entertaining. Last year I might have felt differently. You may recall that I was soliciting photos of Spring's arrival in other places because I wasn't sure if it would ever show up here and stay.

This week, to celebrate Spring's approach, I completed the sketch at the top of this post using the photo below for inspiration.

photo ©2011 M. J. Muir

I received this photo last year from Mary Jane who lives in Vancouver, Canada. The original sketch is now waiting to be mailed. This taste of Spring will be arriving in MJ's mailbox any day.

I hope that Spring is arriving as quickly as a sketch sent through the mail to those of you who are waiting patiently for it.

For those folks in the southern hemisphere, I hope winter takes her time arriving.

Happy Winter is 65% Over Day to everyone!!

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In case you missed last week's announcement, I am starting a monthly email newsletter the first week in April. The newsletter will feature more of my original sketches, photos of and information about works in progress, and news from my studio. To receive the newsletter simply click on the "Newsletter Signup" tab at the top of my blog, fill in the required fields on the subscriber form found there, and click the "Subscribe" button. You will receive an email asking you to click a link to confirm your subscription. Click the link and your sign up will be complete!

As always, I thank you for your interest in my art and I hope you enjoy the new newsletter!

Announcing "Sketchy Details" Newsletter

I believe all artists share a common goal for their art of wanting it to be able to inspire feelings in the hearts of viewers.

Some artists use their art to make social statements because they want the viewers to experience social injustice and be motivated to action.

Some artists paint images of sadness, loss or despair so that viewers know they are not alone in these feelings.

My desire is for my art to inspire feelings of gratefulness for the beauty and blessings that surround us, because I believe that the seeds of happiness grow best when planted in a bed of gratitude.

There are also other feelings that my paintings embody. Things like love, fun, joy, and connectedness. I think the world needs more of these feelings, and I believe that they are all around us if we just look for them.

I not only look for them, but find them and share them through my art.

If you know anyone who would like more of these good feelings in their life, please direct them here to my blog.

And if you, or they, would like to receive my version of happy once a month right in your inbox, I am pleased to announce that is now possible with the start of my monthly email newsletter!

The newsletter will be delivered the first week of every month starting in April. In it I will share new sketches along with details of life inside and outside of the studio. Which is why I named it "Sketchy Details"!

To sign up please fill in the boxes at the right under the heading "Subscribe to my Monthly Email Newsletter" and click the subscribe button, or head over to this page and complete the form there.

I love sending my art out into the world. I am excited that I am going to get to share it in this new way. And I am so very grateful for all of you who take time to experience my art and read my words. Thank you!

A Flexible Schedule

Sometimes, much as we might like to be, we are not in control of our own schedules. Take my schedule for instance. Yesterday I found myself here...

sketch of airplane interior

That wasn't really a bad thing, but according to my schedule I was supposed to be on that plane on Wednesday, not Thursday. Which would have meant I was home on Thursday. If I was home on Thursday I would have posted this then.

shark & barracuda sketch

However, since I was not in control of my schedule, it fell victim to mechanical issues which required the cancellation of said Wednesday flight. With no other flights available, my family and I were forced to stay an extra day in a sunny, warm vacation place. Truth be told, I wasn't complaining. And the kids not only weren't complaining, but took it a step further, and were doing a very energetic happy dance.

palm tree sketch

So the Wednesday flight became a Thursday flight and the Thursday blog post became a Friday one. A worthy trade for a few additional hours of sun and a safe flight.

ottoman sketch - random I know but found in our vacation accommodations

I hope you enjoy my vacation sketches as much as I enjoyed the vacation.

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All sketches were created with graphite in a Moleskine cahier sketchbook.

Finished Cardinal Painting

Some paintings flow off the end of the brush as if by magic. After they are finished it almost feels like I painted them in a dream.

Whatcha Lookin' At?

cardinal painting

6" x 4" watercolor on paper

©2012 Stacy L. Rowan

Other paintings need a little more help and hand-holding to get them safely through their adolescent stage. It doesn't make me love them any less. However, it does take a little longer to evaluate those paintings and see if my work is done.

This guy was a bit of a hand-holder.

Several years ago I took a bunch of references as this cardinal snacked on some birdseed outside my kitchen window. The photos have been patiently been waiting in my files until it was time for their turn under the brush.

What I loved about this reference is the quirky turn of his head. I feel like he is eyeing me with curiosity and just a touch of an attitude.

Of course the part I loved was also the part that proved to be most challenging. Why is that so often the case?

We don't often view a cardinal from this angle so I had to make sure I didn't lose the parts that would identify him as a cardinal while I was focused on capturing his attitude.

I think I managed that goal. However, I am going to set him aside for a few weeks and then re-evaluate the painting just to make sure it doesn't need any last little tweaks.

Step Back for the Big Picture

With regards to my artwork, I am typically better known for detailed pieces than for sweeping views. But I have found that sometimes taking a step back and getting the bigger picture is necessary.

Take today for instance. I went to a portrait drawing session offered by a local art group. I chose to set up at the back of the group. One of the other artists expressed concern that I might be too far from the model. But I saw the situation differently.

portrait sketch

charcoal on Mi-Teintes paper

approx. 12" x 10"

©2012 Stacy L. Rowan

Being further from the model keeps me from getting tied up in and distracted by the details. The position makes it easier for me to focus on the shapes of highlights and shadows.

When I sit close to the model I tend to label the parts as I draw. My mental chatter focuses on "What shape are the eyes? What are the lips like?" Labelling the features as I work makes it more challenging to ignore the mental symbols of those features and draw what I see.

When I sit further back I can't really see the details of the features. With a little squinting I can focus on the big shapes. And by drawing the big shapes the features sort of magically appear.

Definitely a situation where stepping back and seeing the big picture works better for me than getting up close and focusing on the details.

Our model today was the sister of one of the artists. She was very good both at getting back in to position after a break and at consistently holding the position. Not an easy task with 20 artists staring intently at you!

My sketch was completed in three approximately 20 minute sessions.

A Moment to Relax

sketch of mug

markers on paper

©2012 Stacy L. Rowan

I made myself hot chocolate tonight. Which is kind of ironic since the 60 degree, sunny weather we had today felt more like spring than winter. But there is something about a warm drink that gives me permission to sit and relax while I slowly sip my treat. And tonight I felt the need to relax.

I suppose I could, and maybe should, give myself that permission without the crutch of a warm, sweet concoction, but I never do.

Do you have a special treat that you indulge in when you want to relax? Or a ritual you follow that signals the start of your relaxation time? Feel free to share the details in the comments section.
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While I was relaxing I decided to play with some markers I found recently while cleaning my studio.

The mug was drawn using a set of cool gray markers. There are 12 dual tipped markers in the set. I really enjoyed the wide range of values. The sketch below is a marker from this set, but was drawn with a markers from a different set.

sketch of a marker

markers on paper

©2012 Stacy L. Rowan

The second set of markers is made up of six brush tipped markers - 3 cool grays and 3 warm grays. I like the brush tips, but found myself wishing I had more intermediate values.

Sketching the Past

I tried my hand at more people sketches today. I am not sure why I feel drawn to do this or where I am going with it, but it feels right so I am following my intuition.

This time I used two old family photos as references. The references are about three inches tall and two inches wide. The dimensions that I posted under each sketch show that I am working quite a bit larger than my reference material.

practice sketch 12

approx 7" x 5"

©2012 Stacy L. Rowan

I stopped during the second sketch for a work in progress scan. Here you can see that I sketched in the outlines of the head and body before adding the facial features.

practice sketch 13 WIP

©2012 Stacy L. Rowan

I still need more practice in order to get a quick and accurate likeness. I am working up to sketching from life. These sketches today required a little longer than I think I can expect in social situations.

practice sketch 13

approx. 7" x 5"

©2012 Stacy L. Rowan

But, the most important thing for now is that I thoroughly enjoyed myself while working on these. I am following my muse to see where she is leading me. So far it has been a fun journey.

I will definitely be finding additional old photos to use as references for this project.

If You Do What You've Always Done...

quick sketch of woodpecker

graphite on paper

©2012 Stacy L. Rowan

...you get what you've always got.

Or conversely, if you want a different outcome, try a different approach.

Today mother nature did a wonderful job of reminding me of this saying.

I was relaxing for a few minutes after breakfast by watching the birds feed at my backyard feeder. I typically see a pair of cardinals, many juncos, a few house finches, and the occasional tufted titmouse or chickadee.

At the time that I was watching there were probably a dozen juncos spread around feeding at the feeder, eating the seed that had fallen to the ground or hanging out in the surrounding bushes.

I enjoy watching the juncos and the way they jump and flit about, but I was also wondering how I could attract a wider variety of birds. I was thinking about asking some of the ladies from my Tuesday art group what they would recommend.

Then not thirty seconds later, after grabbing my warmed up coffee from the microwave, I looked outside. And what did I see? A woodpecker!

He was hanging on the suet cage pecking at the suet cake. I had just put it out the day before. Normally I don't buy suet cakes because the one other time I did, the only animal I ended up feeding was a squirrel. The birds didn't seem to like it or else never got a turn.

Earlier in the week when I was grocery shopping I saw suet cakes on sale for a dollar. I figured that for a buck it was worth a try even if I only made the squirrel happy.

But instead, by trying something new I experienced a new outcome -- a visit by a beautiful woodpecker.

I know this is a lesson that I can apply both to creating art and to other areas of life. My standard techniques and practices feel familiar and comfortable. I know what to expect from them. It is all too easy to shy away from trying something new in the name of comfort. Or because of fear of an unknown outcome. But, as today showed me, sometimes the unknown outcome turns out far better than I expect.

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My new friend the woodpecker didn't stick around for a long visit. As soon as I realized what kind of bird he was and got over my shock of having a woodpecker at my feeder, I grabbed my sketchbook. I drew exactly one line and then he flew away. I completed the rest of the sketch from memory as best I could. Then I went and grabbed my kids' bird book and using that and my first sketch I drew a second sketch which you see above.

I am questioning now whether the bird actually had the tuft of feathers at the back of his head, or if I didn't see clearly and it was instead a red triangle of feathers surrounded by darker ones. I will have to keep my eye out for him to visit again to see if I can get a better look.

5 Things 5 Years of Blogging Taught Me

These carnations like me have stuck around for a while

graphite in Moleskine

©2012 Stacy L. Rowan

The other day I was looking through the archives for this blog and I realized, much to my surprise, that I have just completed my fifth year of blogging. My first post was created on January 9, 2007.

Looking back over the past five years, I came up with 5 things that blogging has taught me.

1. I am more comfortable in the studio painting or drawing than sitting at the computer writing a blog post.
2. Despite my good intentions to write my blog posts in advance and have several of them queued up to post, it is more typical that my post is written between 8pm on Wednesday and 11pm on Thursday.
3. The closer it gets to 11pm on Thursday without the blog post being completed, the more stressed out I become.
4. The quality of my blog post ideas are indirectly proportional to my stress level. That is, the more stressed I am, the more my initial ideas stink and the more ideas I need to come up with until I find one that flies. With each rejected idea the time until my self imposed deadline seems to speed up exponentially.
5. Given numbers 1 through 4, it is flippin' amazing that I managed to post anything at all these last five years!!!

All kidding aside, I am very happy to have reached this milestone. And I thank you for being loyal readers, even of the most procrastinated posts!

Here's to five more years of fun!!

Playing with New Toys

One of the great things about this time of year is that I often have new toys to play with courtesy of the Christmas holiday. The other day I opened up my new Schminke watercolor set.

The set was actually a gift to myself - what we call in my house a "from me to me". I have been wanting to try the Schminke watercolor pans for some time and saw a great deal in December that suggested it was the right time to give them a whirl.

The set came with a list of included colors. The list has space for painting a swatch of each color. The paper the list is printed on is not a normal watercolor paper, so I had a difficult time getting the colors to bleed. But it was more than adequate for capturing a mid-value of the different hues.

The completed color chart is also useful because it lists the paints in the order the manufacturer placed them in the box. Since the pans are new to me, I cannot easily tell which blue is which just from how they appear in the pans. But with the chart, all I need to do is keep them in the order they came in. At least until I have all the paints memorized.

While I was playing with color, I decided to finally break out the color chart that I bought last year from Daniel Smith.

The chart I purchased contained samples of 238 of their "most popular" tube colors. Each sample is in the form of a "paint-able dot" of paint. And the paper used for the chart is actual watercolor paper.

To test the samples, I individually wet each dot and bled the color out trying to get a range of values. I also painted a single line of saturated color next to the dot.

In addition to the fun of trying the colors, I was pleased that each paint had it's common properties printed below the dot. This information included name, transparency, staining, granulation and light fastness. The only addition that I would suggest is the inclusion of the pigment number.

I currently have about 5 or 6 Daniel Smith tubes in my collection. Now that I have this visual tool I think that number will be going up.

What new art supplies have recently made their way into your studio? Are any of the additions something you would recommend to others? Please feel free to share your finds by leaving a comment.